Kdrama:
Goblin - In ancient times, Kim Shin (Gong Yoo) is an unbeatable general in wars, but the young King (Kim Min-Jae) is jealous of Kim Shin and kills him. Kim Shin becomes Dokkaebi (Goblin), possessing an immortal life. At first he thinks that he is blessed, but he realizes that he is cursed.
Closer to the present day, Kim Shin has waited 900 years for a human bride to end his immortal life. One night, he saves a dying pregnant woman (Park Hee-Von) who is destined to die. Meanwhile, the Grim Reaper (Lee Dong-Wook) is unable to find the dead pregnant woman. The woman gives birth to a baby girl named Ji Eun-Tak (later played by Kim Go-Eun). 9 years later, Ji Eun-Tak lives with her mother and is able to see ghosts. One night, her mother suddenly dies. On that night, she meets the Grim Reaper.
In the present day, Ji Eun-Tak is a high school student. She still sees ghosts and hears their whisper of “Dokkaebi’s bride.” She now lives with her aunt’s family, but she is mistreated by them. On her birthday, Ji Eun-Tak sits by the sea with a lighted birthday cake. At that time, Kim Shin suddenly appears behind her. Kim Shin does not know why, but he can hear her voice and appears in front of her against his will. Coincidentally, Kim Shin lives with the Grim Reaper at the same house.
Now, Kim Shin appears in front of her against his will, whenever she turns off the lights. One day, Ji Eun-Tak tells him that he is Dokkaebi and she is his bride.
Anime: Monster - is a fierce, gripping show that grabs you by the arm and transports you through 74 episodes of a mind-bending plot, engaging characters, and possibly the best villain in anime history. I had to wait about a week after finishing this series before making my attempt at a review due to the sheer amount of things I wanted to say at its conclusion.
It’s quite difficult to put into words how much I enjoyed Monster’s unique storyline. Not only is it realistic, but it keeps a steady pace for the entire 74 episodes while focusing entirely on a single story arc. It’s an incredible feat to see in an anime.
Adapted from the highly revered manga by Naoki Urasawa, viewers follow the main protagonist, Dr. Kenzo Tenma, a prodigal Japanese neurosurgeon. Dr. Tenma is working abroad in post-segregated Germany, engaged to the daughter of the hospital’s director, and is genuinely living the “good life”. That is until a certain patient arrives in his care. Dr. Tenma is faced with a difficult decision when he has to choose between performing an operation on the mayor or a young boy shot in the head who was already in surgery. With a strong sense of morality on his side, he chooses the boy and his life literally comes crashing down around him. He is stripped of his head neurosurgeon title, accused of murder on several accounts, and left by his fiancée, and all of this is within the first five episodes!
The rest of the series follows Tenma as he is on the run, trying to track down the Monster that ruined his life. It’s a constant game of cat and mouse, filled with death and drama, focusing strongly on character development and well-paced plotlines. The writing in Monster is absolutely fantastic. It is both medically and geographically accurate, and the dialogue between the characters is top-notch. There are almost no filler episodes, and each chapter is meticulously laid out to aid the viewer in solving the mystery of the “monster” for themselves. I mostly enjoyed the sequences between Tenma and the infamous BKA Inspector Lunge, as well as the interactions Tenma has with the Monster himself. The action sequences were also well-orchestrated, leaving that appropriate amount of suspense when you knew the killer was right around the corner, or Tenma himself was just moments from being caught. It’s moments like that which are missing from most animes in the genre, and Monster executed them perfectly.
Social issues and corruption are prominent throughout the series as well, buffing the realism factor exponentially. There are gangs, exposed destitute orphanages, and red-light districts in post-segregated Germany which showcase the disparities that still exist even today. All the side stories are interwoven into one infernal beast of a storyline. No characters are disposed of for the sake of fan service, no dialogues are squandered and most of all, the feeling you get at the end of this series is pure satisfaction.
The cast of this anime is just too damn good. Plenty of characters to love, and those you love to hate. Tenma is the moral pillar inside all of us. He is an honest and logical man who is trying to right the wrongs that have occurred in his life. His decisions are always calculated, never rash, and if it comes down to saving someone’s life over his own personal gain. He will always make the right choice. His friends along the way could always sense his genuinely good character and would stick by Tenma’s side, come what may. The “Monster” was brilliantly sinister throughout the series, and I often found myself somewhat scared when he appeared on the screen. His elusiveness and charisma added to his complexity as a character and made it all the more terrifying. He will go down as perhaps the greatest villain in anime history.
The comparison of the main antagonist to Hitler is also very interesting. The way that the “monster” manipulates the minds of the individuals he befriends is frighteningly realistic. He brings them to the lowest point, lower than death, and when the suffering appears to be too much he offers them a hand in return for performing his dirty work. I can imagine people like that existing in the world today, and the fact that the government and certain masochistic individuals were attempting to recreate Hitler using experiments done on children was appalling in nature.
The rest of the supporting characters were great in their own rights. I enjoyed the background of Wolfgang Grimmer, the prior orphan turned freelance journalist, who was trying to uncover his own past while helping to unravel pieces of the overarching mystery. I quickly grew attached to his side arch and how he intertwined with Tenma. Deiter and Nina were also great aids to Tenma, as well as Dr. Reichwein and Gillen. But perhaps my favorite character of all was that of Inspector Lunge. He was a brilliant detective who grew obsessed with the cases he couldn’t solve. Even at the cost of his own family and career. The way he was so systematic in filing information into his “hard drive” screamed OCD and reminded me loosely of L from Death Note.
For what it is, I love the animation style from the early to mid-2000s. Monster especially made realistic-looking characters and did a great job of illustrating Germany and the Czech Republic’s land/cityscapes. None of the characters seemed dull, and even maintained a highly detailed level of animation through long dialogue sequences. The transformation of Tenma over the series is also evident in the character model; going from young and clean-cut to tattered and worn. The soundtrack was suspenseful at the necessary times, and I never found it to be overused or tacky. The opening didn’t change over the course of the show, which was great. Sometimes I feel that anime openings have become less and less to do with the anime itself and more about showcasing the artists that make them. The ending song was the creepiest I’ve ever seen, and fit so well with the ominous vibe the series was trying to convey.
There isn’t any logical way I can give anything but a 10 to this anime. Not just based on the average score, but the overall effect that Monster had on me was tremendous. It is a show that I will not soon forget, and certainly one I could recommend to any suspense/thriller fan… even those who don’t enjoy anime. It has been rumored that legendary horror director Guillermo Del Toro has worked with HBO to bring us a live-action iteration of this masterpiece, so I hope to continue my love for the series in the future. Monster is a hard-hitting, life-changing anime that will go down in history as one of my all-time favorites in the anime world.
Music: Stargazing by The Neighbourhood
Games: Red Dead Redemption
Red Dead Redemption’ is a game that will stand the test of time no matter what. Similar to the westerns of the past like ‘The Good, The Bad, and The Ugly’. It’s a 13-year-old game, but the charm is still there. Well-written characters, an open world full of exploration, and good gameplay are enough to hold up strong. The West will always hold a special place in my heart and life. ‘Red Dead Redemption’ will always be a masterpiece.
i hope may magustuhan ka sa sinuggest ko sir. enjoy :3